The Toronto International Film Festival (TIFF) has kicked off, showcasing a diverse array of films for literature enthusiasts. TIFF 2026 runs from September 10 to September 20, featuring 293 titles.
CBC Books has sifted through the festival’s lineup and curated a selection of highly anticipated films inspired by literary works that are worth adding to your reading and viewing lists.
**YAGA**
Starring Hudson Williams and Carrie-Anne Moss, “YAGA” is set to have its world premiere at TIFF 2026. Based on Kat Sandler’s work, the film follows a local detective and a private investigator as they unravel the mystery surrounding the disappearance of a resident party boy in a remote coastal town. The story delves into urban myths and hidden secrets, adding a mystical twist to the narrative.
**A Long Winter**
Fred Hechinger stars in the film adaptation of Colm Tóibín’s novella, “A Long Winter.” The narrative unfolds in the cold mountains of Colorado, focusing on a young man named Mike coping with his mother’s disappearance during a snowstorm. Directed by Andrew Haigh, the film explores themes of family dynamics and coming of age against a harsh natural backdrop.
**Ba’s Book**
Inspired by Anh Duong’s “Dear Da-Lê,” “Ba’s Book” is a documentary that sheds light on the experiences of a Vietnamese refugee navigating life in Canada. Directed by Ashley Duong, the film captures poignant childhood memories and migration stories, emphasizing the bond between a father and daughter through the lens of familial history.
**Being Heumann**
“Being Heumann” delves into the life of disability rights activist Judy Heumann, known as the “Mother of the Disability Rights Movement.” Based on Heumann’s memoir, the film showcases her journey from overcoming childhood polio to advocating for civil rights legislation. Directed by Siân Heder, the movie highlights Heumann’s impactful activism and the legacy she left in shaping disability rights laws.
**Carrie**
The classic horror tale “Carrie” by Stephen King gets a modern twist in this adaptation for Gen Z audiences. Directed by Mike Flanagan, the film explores themes of telekinesis and revenge as Carrie navigates high school dynamics and confronts her bullies. Flanagan’s interpretation adds a contemporary flair to King’s iconic story, catering to a new generation of horror fans.
**Clarissa**
“Clarissa” reimagines Virginia Woolf’s “Mrs. Dalloway” in a Nigerian setting, offering a fresh perspective on the original narrative. Directed by Arie Esiri and Chuko Esiri, the film delves into societal issues and personal reflections as the protagonist navigates a day filled with memories and political tensions in Lagos.
**Edward Said: Between Worlds**
A documentary honoring the legacy of Palestinian American scholar Edward Said, “Edward Said: Between Worlds” captures his intellectual contributions and activism. Led by Danish American director Sarah Mowaswes and Razan Ghalayini, the film provides a comprehensive look at Said’s life and impact on global politics.
**How We Stand**
Based on Marie Clements’ play “Tombs of the Vanishing Indian,” “How We Stand” portrays the journey of Indigenous sisters navigating trauma and connection. Directed by Leah Nelson, the film weaves a poignant narrative of family bonds and resilience amidst adversity.
**Tangles**
Adapted from Sarah Leavitt’s graphic memoir, “Tangles” offers a heartfelt exploration of Alzheimer’s disease and family dynamics. Directed by Leah Nelson, the animated film follows the protagonist’s journey of caregiving and self-discovery in the face of a challenging diagnosis.
**Phoolan**
“Phoolan” brings to life the autobiography of Phoolan Devi, India’s Bandit Queen, depicting her rise from oppression to power. Directed by Richie Mehta, the film captures Devi’s daring exploits and resilience in a thrilling biopic set against the backdrop of Indian landscapes.
**Look Back**
Hirokazu Kore-eda directs the live-action adaptation of Tatsuki Fujimoto’s “Look Back,” chronicling the journey of two aspiring manga artists through friendship and artistic pursuits. The film explores themes of creativity and camaraderie as the characters navigate their dreams and challenges.
**The Idiot(s)**
Inspired by Andrew D. Kaufman’s “The Gambler Wife,” “The Idiot(s)” delves into the complex relationship between Fyodor Dostoyevsky and his wife Anna. Directed by Małgorzata Szumowska and Michał Englert, the film sheds light on Anna’s pivotal role in Dostoyevsky’s literary career and personal struggles.
**The Smell of Apples**
Set in apartheid-era South Africa, “The Smell of Apples” follows a young white boy’s awakening to the racial injustices surrounding him. Directed by John Trengrove, the
